Under Napoleon's rule, the emperor took the painting, along with Peter Paul Rubens's The Descent from the Cross, to Paris.  The most notable difference seen between the 1611 painting and the 1638 painting is the elimination of the frames. Copyrights Reserved © 2008 - . The Elevation of the Cross (also called The Raising of the Cross) is the name of two paintings, a very large triptych in oil on panel and a much smaller oil on paper painting. Rubens represents light with tenebrism, reflecting on the influence of Caravaggio.  Christ's suffering is made apparent in his strained and tense body, hands clenched tight around the nails in his hands, and his head contorted in the last moments of agonizing pain. These posts about Christian Catholic artists and their works are absolutely fantastic. The Elevation of the Cross (also called The Raising of the Cross) is the name of two paintings, a triptych painting, and an oil on paper painting, both by Flemish artist Peter Paul Rubens.The triptych painting was the first to be completed in 1610-1611.  The thieves in the right wing are being prepared for execution as the Roman officers issue their orders. Peter Paul Rubens, one of the great Flemish artists of the 17th century, was a prominent figure in the Catholic church, the royal courts, and commercial centers of the Low Country.  While it was present in St. Walburga, the painting was surrounded on all sides by images of God the Father, Christ, angels, and at the top of the structure was a wood pelican, which was a common representation of Christ's sacrifice based on a folk lore associated with the bird feeding its young with its own blood. oil on paper (72 × 133 cm) — c. 1638 The dramatic action is witnessed from the left by St John, the Virgin Mary and a group of weeping women and children. 1609, Madonna and child (from the composition The Rest of the Fligth into Egypt), ca. Peter Paul Rubens, Elevation of the Cross, from Saint Walburga, 1610, oil on wood, center panel: 15 feet 1-7/8 inches x 11 feet 1-1/2 inches (now in Antwerp Cathedral) An enormous triptych The Elevation of the Cross altarpiece is a masterpiece of Baroque painting by the Flemish painter Peter Paul Rubens. In the central part Christ has been nailed to the cross, which is now being raised.  Rubens would have done all the sketches and designs for the works being created in his workshop.  The Elevation of the Cross is an accurate biblical representation of the crucifixion of Christ, in keeping with the specific guidelines for art as produced by the Council of Trent.  It measured 60 × 126.5 cm, but was later enlarged to 70 × 131.5 cm.  Due to its size, some have suggested the painting may have been conceived as an independent painting to The Elevation of the Cross, to be given as a personal gift to Cornelis van der Geest.  Figures not seen in the earlier version are added, as well as some changes in the landscape. , Peter Paul Rubens was not fully responsible for the creation of this artwork, which is the reality for many of Rubens's paintings. In Peter Paul Rubens: Return to Antwerp …Rubens’s two great Antwerp triptychs, The Raising of the Cross (1610–11), combined Italianate reflections of Tintoretto and Caravaggio with Flemish realism in a heroic affirmation of redemptive suffering. That's it. , Jesus Christ and the elevation of his cross are the focal points for this artwork, with features of the story overflowing from the middle panel onto the wings on both sides. , The work shows the clear influence of Italian Renaissance and Baroque artists such as Caravaggio, Tintoretto and Michelangelo.
, The Antwerp triptych was positioned above the high altar preceded by a set of stairs, making it visible from a great distance in the vast Gothic cathedral of St. From Art Gallery of Ontario (AGO), Peter Paul Rubens, The Raising of the Cross (ca. Rubens emanates the spirit of the Counter-Reformation by representing the victorious nature of Christ's death while maintaining his divine nature.
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like. , The Antwerp triptych was positioned above the high altar preceded by a set of stairs, making it visible from a great distance in the vast Gothic cathedral of St.  Rubens's version creates a more compelling, intense and emotional response through the re-positioning of Christ.  Also painted by Rubens, he completed the piece around 1638, and it was given to Hans Witdoeck, to use as a modello.  These separate drawings were used in conjunction with the modello in the final execution of the large scale painting.
 The three panels together work harmoniously, creating a continuous scene.  The setting is dark and restless as the group of spectators, soldiers, horses, and the strained bodies of the executioners surround the soon-to-be crucified Christ.
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